Sport Moves

Why Rugby? It was one of these sudden ideas, caused by the need for a balance.

By drawing, I have studied a variety of dance forms to appreciate their differences and drawing sport has certainly given me a new perspective on sport, dance and human movement in general.

Many artists start out to measure their skills on reality, a challenge which is not for the faint-hearted! But soon we notice that the process of drawing changes the way we see the subject, and it’s irresistible to follow the new path and go explore it. For example, a dancer or rugby player is no longer another person doing something, but a body that I so closely relate to, I feel doing the move myself.

Still, it’s been a surprise to learn that I can relate to the moves of a rugby player as easily as to a graceful dancer. But since I’m not a very skillful dancer, this comparison is not as far-fetched as it seems. The key to overcome the gap between them and me has been to remove the details of individuality and to reveal the human body as a dynamic form. Generic? No, but an invitation to get close, into the action ourselves, some viewers and me.

Drawing with the other hand

I am right-handed but I have also been using my left hand to draw. The clumsy, awkward left hand is helping me to focus on the big forms. It's impossible to do details, and using my left to start drawing prevents me to get side-tracked, and helps to keep the composition rough until the bodies and moves work. Once I have the 'layout', I continue with my right hand.

More about drawing with the other hand.