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Papua New Guinea,
Tuam, Male Dancer

Acrylic
610 x 430mm
24" x 17"


Papua New Guinea,
Trobriand Islan
ds
Female Dancer
Acrylic
610 x 430mm
24" x 17"


Papua New Guinea,
Tuam,
Female Dancer
Acrylic
610 x 430mm
24" x 17"


Papua New Guinea,
Trobriand Islan
ds
Male Dancer
Acrylic
610 x 430mm
24" x 17"

click on images to enlarge

Inquiries about
Pacific dance paintings

 

Four Female Dancers
from Tonga

Watercolor
320 x 430mm
17" x 12"

Vanuatu, Ambrym,
Dancers and Drummers

Watercolor
305 x 430mm
12" x 17"

Papua New Guinea,
Ali, two Female and
a Male Dancer

Acrylic
610 x 430mm
24" x 17"

xxx
 

It is fascinating to see how people of different cultures move to music. In some cultures traditional dance is a sharing of information, teaching, telling of stories or reinforcing the social structure. In others, dance is a form of religious practice, a spiritual pursuit, and a dialogue with gods and ancestors.

There is a big difference in the purpose and motivation of Polynesian and Melanesian dance. In Polynesia, dance is not religious, while in Melanesia it often has a spiritual meaning, the movements are rhythmic and repetitive, and dancers are usually also the musicians. In Polynesia, the dancers are not the musicians, the choreography is varied and dance moves visualise the lyrics of a song or theme.

Watching dancers is often like hearing another language, or a new kind of music. Although body language is much more universally understood than our verbal languages, to really appreciate the movements of any traditional dance would mean to know the history of the culture. I like to read and learn about the history of cultures, but as a visual artist, I strive to communicate what dancers express optically with their body language. xxx  
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