Cook Islands Dance  
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the Cook Islands

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of Cook Islands Dancers
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Three Drum Dancers
Watercolor
380 x 280mm
15" x 11
"
NZ$1550


Three Action Song Dancers
Watercolor
560 x 380mm
22" x 15
"
NZ$2500


Drum Dancer and Drummers
Indian Ink
600 x 430mm
24" x 17
"
NZ$2500


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Original works will be rolled for shipping. For insurance and airmail, please add NZ$50.

Limited Edition Prints of Cook Islands Dancers

 

 


Female Drum Dancer,
Sepia

Acrylic
610 x 430mm
24" x 17"
NZ$1950


Drum Dancer from the back
Acrylic
610 x 430mm
24" x 17
"
NZ$1550


Male Dancer with Paddle
Acrylic
610 x 430mm
24 " x 17 "

NZ$1750


Action Song Dancer,
Sepia
Acrylic
610 x 430mm
24" x 17
"
NZ$1950

 

Female Drum Dancer,
Burnt Sienna
Acrylic
610 x 430mm
24" x 17
"
NZ$1550

Action Song Dancer
Acrylic
700 x 500mm
28" x 20"

NZ$2250


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Male Dancer Drum
Dancer, Blue

Acrylic
610 x 430mm
24 " x 17 "

NZ$1550

Female Drum Dancer
Acrylic
610 x 430mm
24" x 17"

NZ$1750

Contact and Links

Limited Edition Prints of Cook Islands Dancers

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My studies of Cook Islands dancing has been a team work with dancers.

Jackie TuaraHere is the inside story from the dancer’s point of view.
By Jackie Tuara, dancer and choreographer

"Eighteen years is certainly quite a period of time to have known and worked with someone. It has been a period of learning and discovering new things for both of us. Not only has working with Judith helped her learn about the ‘technicalities’ of Cook Islands dance in order to make it look right on paper, but it has also been a great learning opportunity for me. Having to explain to Judith why/how I swing my hips, how/when/why I lift my feet for example, hers were questions that I didn’t have easy answers to. In the beginning I really had to think about it – and by modelling for Judith she was able to see and tell me which muscles in the body were moving or being used for each movement. Something I never ever thought about, and I am sure every Cook Islands dancer never thinks about. We grow up basically teaching ourselves to dance, no technicalities involved, you get up and swing those hips and keep swinging until you get it right – and that meant “When it looked right”!

The information that Judith required made realise that there is certainly a lot more to our dancing than swinging those hips. It has enabled me to actually take my interest in dance further, to discover how we perform certain movements, which muscles we use, and how to use these correctly in order to perform a movement correctly.

This additional knowledge has become a new avenue for teaching others how to dance more properly in the traditional way, but also more creatively by using the right muscles in the body, in order to get that particular movement going we have in mind.

Judith and I have worked together over the years and the benefits have been mutual, learning more off each other about the one aspect of Cook Islands culture that interests us both – Dance. We are learning off and with each other in order to display these art forms in the ways we know best how – Judith with paint and paper and myself through performance, choreography and costume design.

Having worked with her from the very beginning, I have seen her progress and definite improvements in the way she has tried to bring dance to ‘life’. I have seen many drawings and paintings done by various artists depicting Cook Islands dancing and I guess any artist can paint or draw a dancer that looks somewhat like a dancer. But to depict Cook Islands Dance in a way that makes you actually feel the movement, feel the sway of the pareu kiriau, feel the gracefulness of the hips - this I have only seen and felt in Judith’s work.

As a dancer and choreographer, Judith’s work has a deeper meaning for me. Her art works are not simply drawings on paper hanging on the wall – for me they are expressions of what I am very passionate about, our Cook Islands performing arts. And to have an artist like Judith portray this so definitely and for the world to see and enjoy, and more importantly, in a way that we Cook Islanders can totally relate to, is awesome.

And, as well, Judith’s work has become another important avenue of keeping our Maori performing arts alive."

Jackie Tuara,
Rarotonga

 

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